Culture24 exists to promote and support the cultural sector online and to serve the needs of online audiences. We are a not-for-profit online publisher, working across the arts, heritage, education, and tourism sectors.
A wonderful initiative. Also, check out there data-feeds that contain data from 4300 cultural venues across the UK…wow! (link).
Bellamy C. What is Culture24?. craigbellamy.net. 2010. Available at: http://www.craigbellamy.net/2010/02/09/what-is-culture24/. Accessed March 12, 2010.
APA citation:
Bellamy, Craig. (2010). What is Culture24?. Retrieved March 12, 2010, from craigbellamy.net Web site: http://www.craigbellamy.net/2010/02/09/what-is-culture24/
Chicago citation:
Bellamy, Craig. 2010. What is Culture24?. craigbellamy.net. http://www.craigbellamy.net/2010/02/09/what-is-culture24/ (accessed March 12, 2010).
Harvard citation:
Bellamy, C 2010, What is Culture24?, craigbellamy.net. Retrieved March 12, 2010, from <http://www.craigbellamy.net/2010/02/09/what-is-culture24/>
MLA citation:
Bellamy, Craig. "What is Culture24?." 9 Feb. 2010. craigbellamy.net. Accessed 12 Mar. 2010. <http://www.craigbellamy.net/2010/02/09/what-is-culture24/>
Bellamy C. Facebook URLs ?. craigbellamy.net. 2009. Available at: http://www.craigbellamy.net/2009/07/15/facebook-urls/. Accessed March 12, 2010.
APA citation:
Bellamy, Craig. (2009). Facebook URLs ?. Retrieved March 12, 2010, from craigbellamy.net Web site: http://www.craigbellamy.net/2009/07/15/facebook-urls/
One of my favourite projects within the broader Digital Humanities field; a masterpiece of Persian art and a damn fine piece of Digital Humanities scholarship as well.
Firdausi’s Shahnama (Book of Kings), completed in eastern Iran in around A.D. 1010, is a work of mythology, history, literature and propaganda: a living epic poem that pervades and expresses many aspects of Persian culture. Thousands of manuscript copies of the text, the earliest dating from 1217, exist in libraries throughout the world. Many hundreds of these are illustrated with miniature paintings, some of them among the most magnificent masterpieces of Persian art (link).
Bellamy C. The Shahnama Project (Iran). craigbellamy.net. 2009. Available at: http://www.craigbellamy.net/2009/06/15/the-shahnama-project-iran/. Accessed March 12, 2010.
APA citation:
Bellamy, Craig. (2009). The Shahnama Project (Iran). Retrieved March 12, 2010, from craigbellamy.net Web site: http://www.craigbellamy.net/2009/06/15/the-shahnama-project-iran/
Chicago citation:
Bellamy, Craig. 2009. The Shahnama Project (Iran). craigbellamy.net. http://www.craigbellamy.net/2009/06/15/the-shahnama-project-iran/ (accessed March 12, 2010).
Harvard citation:
Bellamy, C 2009, The Shahnama Project (Iran), craigbellamy.net. Retrieved March 12, 2010, from <http://www.craigbellamy.net/2009/06/15/the-shahnama-project-iran/>
MLA citation:
Bellamy, Craig. "The Shahnama Project (Iran)." 15 Jun. 2009. craigbellamy.net. Accessed 12 Mar. 2010. <http://www.craigbellamy.net/2009/06/15/the-shahnama-project-iran/>
This may be of interest to budding undergraduates out there. Especially the most excellent opportunity to work at the Lansdown Centre for Electronic Arts. Thanks to Julie Tomlie for the link.
Middlesex University is currently advertising 30 full-time PhD studentships, some of which
are in Arts and related fields.
Of these, one or two (depending on the quality of applications) may be based in the
Lansdown Centre for Electronic Arts, a university research centre working in the
intersection of technology and creative activity. A list of possible themes is here: http://www.cea.mdx.ac.uk/?location_id=106
Bellamy, C 2009, 30 Full-time PhD Studentships available, craigbellamy.net. Retrieved March 12, 2010, from <http://www.craigbellamy.net/2009/05/13/30-full-time-phd-studentships-available/>
April 20, 2009 at 4:37 pm · Filed under art, eresearch
Let’s hope that the grand dreams of eResearch aren’t about ‘research homogeneity’ as cultural homogeneity may have become the case in other areas of cultural activity (thanks to Andrew Garton, the performer, for the link).
GRIT 02 examines the death of analogue broadcasting by way of readings from numerous sources describing the process of enclosure on public spectrum, the airways and the cultural diversity it affords humanity. The digital spectrum promises to further the spread of sameness the world over.
Bellamy C. GRIT 02: Illusions of Homogeneity. craigbellamy.net. 2009. Available at: http://www.craigbellamy.net/2009/04/20/grit-02-illusions-of-homogeneity/. Accessed March 12, 2010.
APA citation:
Bellamy, Craig. (2009). GRIT 02: Illusions of Homogeneity. Retrieved March 12, 2010, from craigbellamy.net Web site: http://www.craigbellamy.net/2009/04/20/grit-02-illusions-of-homogeneity/
Chicago citation:
Bellamy, Craig. 2009. GRIT 02: Illusions of Homogeneity. craigbellamy.net. http://www.craigbellamy.net/2009/04/20/grit-02-illusions-of-homogeneity/ (accessed March 12, 2010).
Harvard citation:
Bellamy, C 2009, GRIT 02: Illusions of Homogeneity, craigbellamy.net. Retrieved March 12, 2010, from <http://www.craigbellamy.net/2009/04/20/grit-02-illusions-of-homogeneity/>
MLA citation:
Bellamy, Craig. "GRIT 02: Illusions of Homogeneity." 20 Apr. 2009. craigbellamy.net. Accessed 12 Mar. 2010. <http://www.craigbellamy.net/2009/04/20/grit-02-illusions-of-homogeneity/>
(picture taken with my crap Samsung 1.3 mega pixle thingees phone)
The Saatchi gallery is a free private gallery in West London (near Sloan Square and owned by Charles Saatchi), that exhibits new contemporary art. Charles Saatchi is a co-founder of the mammoth advertising agency Saatchi and Saatchi that has close links to the Conservative party. The exhibition of New Muslim art is worth checking out; my favourite piece is of Muslim woman at prayer made out of foil.
Bellamy C. New Muslim Art: Saatchi Gallery. craigbellamy.net. 2009. Available at: http://www.craigbellamy.net/2009/04/17/new-muslim-art-saatchi-gallery/. Accessed March 12, 2010.
APA citation:
Bellamy, Craig. (2009). New Muslim Art: Saatchi Gallery. Retrieved March 12, 2010, from craigbellamy.net Web site: http://www.craigbellamy.net/2009/04/17/new-muslim-art-saatchi-gallery/
Chicago citation:
Bellamy, Craig. 2009. New Muslim Art: Saatchi Gallery. craigbellamy.net. http://www.craigbellamy.net/2009/04/17/new-muslim-art-saatchi-gallery/ (accessed March 12, 2010).
Harvard citation:
Bellamy, C 2009, New Muslim Art: Saatchi Gallery, craigbellamy.net. Retrieved March 12, 2010, from <http://www.craigbellamy.net/2009/04/17/new-muslim-art-saatchi-gallery/>
MLA citation:
Bellamy, Craig. "New Muslim Art: Saatchi Gallery." 17 Apr. 2009. craigbellamy.net. Accessed 12 Mar. 2010. <http://www.craigbellamy.net/2009/04/17/new-muslim-art-saatchi-gallery/>
April 14, 2009 at 3:09 pm · Filed under art, video
Here is a movie by an Australian film maker, Keith Loutit, on Vimeo. It uses a time-lapse technique to render real footage in an almost cartoon style. It made me feel homesick, even though I have never really liked that city because it is all mouth and no bay.
Bellamy C. Sydney never looked so special…. craigbellamy.net. 2009. Available at: http://www.craigbellamy.net/2009/04/14/sydney-never-looked-so-special/. Accessed March 12, 2010.
APA citation:
Bellamy, Craig. (2009). Sydney never looked so special…. Retrieved March 12, 2010, from craigbellamy.net Web site: http://www.craigbellamy.net/2009/04/14/sydney-never-looked-so-special/
Chicago citation:
Bellamy, Craig. 2009. Sydney never looked so special…. craigbellamy.net. http://www.craigbellamy.net/2009/04/14/sydney-never-looked-so-special/ (accessed March 12, 2010).
Harvard citation:
Bellamy, C 2009, Sydney never looked so special…, craigbellamy.net. Retrieved March 12, 2010, from <http://www.craigbellamy.net/2009/04/14/sydney-never-looked-so-special/>
MLA citation:
Bellamy, Craig. "Sydney never looked so special…." 14 Apr. 2009. craigbellamy.net. Accessed 12 Mar. 2010. <http://www.craigbellamy.net/2009/04/14/sydney-never-looked-so-special/>
Bellamy C. Interview with M83 on Last.fm. craigbellamy.net. 2009. Available at: http://www.craigbellamy.net/2009/04/09/interview-with-m83-on-lastfm/. Accessed March 12, 2010.
APA citation:
Bellamy, Craig. (2009). Interview with M83 on Last.fm. Retrieved March 12, 2010, from craigbellamy.net Web site: http://www.craigbellamy.net/2009/04/09/interview-with-m83-on-lastfm/
Chicago citation:
Bellamy, Craig. 2009. Interview with M83 on Last.fm. craigbellamy.net. http://www.craigbellamy.net/2009/04/09/interview-with-m83-on-lastfm/ (accessed March 12, 2010).
Harvard citation:
Bellamy, C 2009, Interview with M83 on Last.fm, craigbellamy.net. Retrieved March 12, 2010, from <http://www.craigbellamy.net/2009/04/09/interview-with-m83-on-lastfm/>
MLA citation:
Bellamy, Craig. "Interview with M83 on Last.fm." 9 Apr. 2009. craigbellamy.net. Accessed 12 Mar. 2010. <http://www.craigbellamy.net/2009/04/09/interview-with-m83-on-lastfm/>
1. Radical makeover of Indymedia into an irresistible network of
networks, aimed to link local initiatives, worldwide, that aim to
bring down corporate capitalism. In order to do this Indymedia needs
to go beyond the (alternative) news paradigm. This is the time to do
it. If not now, when? The debate should be about the possible
adaptation, or perhaps transcendence (think negative dialectics) of
the social networking approach. Is it enough if we all start to
twitter? Perhaps not. A lot of the online conversations at the moment
circle around these topics. There is a real momentum building up
here, and that’s exciting.
2. Renaissance of theory, radical texts that appeal to young people
and help them to dream again, aimed to develop critical concepts,
cool memes and audio-visual whispers that can feed the collective
imagination with new, powerful ideas that are capable to move people
into action. Theory, in this context, means speculative philosophies,
not academic writing or hermetic bible texts, aimed to exclude
outsiders and those with the wrong belief system. Overcoming
political correctness in the way that beats populism would be the way
to go.
3. Dismantling the academic exclusion machine. With this I mean the
hilarious peer review dramas that we see around us everywhere, aimed
to reproduce the old boys networks, excluding different voices,
discourses and networked research practices. We need to have the
civil courage to say no to these suppressive and utterly wrong
bureaucratic procedures that, in the end, result in the elimination
of quality, creativity and criticism (and, ironically, of innovation,
too). In the same way we need to unleash a social movement of those
who dare to say no to all these silly copyright contracts that we’re
forced to sign. We should stop signing away our ‘intellectual
property’ and begin to radicalize and help democratize and popularize
the creative commons and floss movements.
4. Overcoming media genres and expertise prisons in order to
productively connect our knowledge and experience. With this I do not
mean diplomatic gestures to open up token channels for
interdisciplinary dialogue. Any formal attempt to bring together
people from different backgrounds is bound to fail. What might be a
solution is to go for hybrid-pervert situations in order to
investigate the absurd edges of the knowledge universe. Again, any
model that somehow wants to move towards a synthesis (or convergence)
is doomed to be irrelevant and will only be instrumentalized in
institutional restructurings in which the creative-subversive
elements are the ones that will be excluded.
5. Squatting the overlooked ruins of the 2009 crisis. There is an
enormous economic infrastructure that is being abandoned at the
moment, ripe to be socialized. The problem, however, is that we do
not really ’see’ it, in the same way as in the 1970s and 80s many did
not see the subversive potential of squatting warehouses, factories
and old housing stock. Luckily this is merely a matter of start
wearing the right pair of glasses. Put them on and you discover an
abundance of abandoned resources, ready to be re-used.
6. Global crackdown of the corporate consultancy class. We have to
get a better understanding of the dubious role that the Ernst &
Young/PricewaterhouseCooper etc. consultants are playing, from
downsizing firms, coaching NGOs and global civil society
professionals, privatizing public infrastructure, to running entire
education sectors. Not only are they experts in cooking the books
(see the dotcom crash). Their role as (invisible) advisers, speech
writers and PR managers needs some serious investigative journalism a
la Naomi Klein.
7. Opening channels for collective imagination. It’s not enough to
say that another world is possible (we know that). Radical reform
plans are available-and are being implemented as we speak-by the
bankrupt neo-liberal elites, in a desperate attempt to somehow make
it to 2010 or 2011, when the recession will be over and old policies
can be continued again. It’s not enough to be satisfied with the
promise of a green GM car, made in the USA. We can think, and build,
so much more. For this to happen, the corporate elites need to be
dispossessed of their power. Calling for ‘change’ comes with
consequences: dethronement. Sorry, you fu*ked up badly. It’s time to
step down and move on. Exit.
–
Geert Lovink (Netherlands) is a Dutch-Australian media theorist,
author of Zero Comments, and director of the Institute of Network
Cultures in Amsterdam, where he also teaches at the new media masters
program of Mediastudies/University of Amsterdam.
–
Renate Ferro and Tim Murray
Co-Moderators, -empyre- a soft-skinned-space
Department of Art/ Rose Goldsen Archive of New Media Art
Cornell University
_______________________________________________
empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre
Bellamy C. Geert Lovink: Resolution for Digital Futures. craigbellamy.net. 2009. Available at: http://www.craigbellamy.net/2009/01/29/geert-lovink-resolution-for-digital-futures/. Accessed March 12, 2010.
APA citation:
Bellamy, Craig. (2009). Geert Lovink: Resolution for Digital Futures. Retrieved March 12, 2010, from craigbellamy.net Web site: http://www.craigbellamy.net/2009/01/29/geert-lovink-resolution-for-digital-futures/
Chicago citation:
Bellamy, Craig. 2009. Geert Lovink: Resolution for Digital Futures. craigbellamy.net. http://www.craigbellamy.net/2009/01/29/geert-lovink-resolution-for-digital-futures/ (accessed March 12, 2010).
Harvard citation:
Bellamy, C 2009, Geert Lovink: Resolution for Digital Futures, craigbellamy.net. Retrieved March 12, 2010, from <http://www.craigbellamy.net/2009/01/29/geert-lovink-resolution-for-digital-futures/>
MLA citation:
Bellamy, Craig. "Geert Lovink: Resolution for Digital Futures." 29 Jan. 2009. craigbellamy.net. Accessed 12 Mar. 2010. <http://www.craigbellamy.net/2009/01/29/geert-lovink-resolution-for-digital-futures/>
This site was developed by my collegue Torsten Reimer.
Creative King’s is a College-wide initiative exploring the notion of creativity and its place in academic life at King’s. The series invites King’s academics from across the disciplinary spectrum to discuss creativity in their own field and to explore interdisciplinary linkages.
All at King’s are warmly invited to attend and contribute to discussions, both at the events themselves and via the website (link)
Bellamy C. Creative King’s. craigbellamy.net. 2009. Available at: http://www.craigbellamy.net/2009/01/22/creative-kings/. Accessed March 12, 2010.
APA citation:
Bellamy, Craig. (2009). Creative King’s. Retrieved March 12, 2010, from craigbellamy.net Web site: http://www.craigbellamy.net/2009/01/22/creative-kings/
It is my birthday next weekend. And i am going to Vienna to celebrate as it is also ‘Arts Birthday‘ . Kunst Radio is holding a party in Hainsburg near Vienna where my good friend Andrew Garton will be playing a 100 year old electronic instrument. Art is 1,000, 0045 years old. I was born on the same day; minus a million years or so.
And what is the best birthday song ever written. Changes By David Bowie
I still don’t know what I was waiting for
And my time was running wild
A million dead-end streets
Every time I thought I’d got it made
It seemed the taste was not so sweet
So I turned myself to face me
But I’ve never caught a glimpse
Of how the others must see the faker
I’m much too fast to take that test
Ch-ch-ch-ch-Changes
(Turn and face the strain)
Ch-ch-Changes
Don’t want to be a richer man
Ch-ch-ch-ch-Changes
(Turn and face the strain)
Ch-ch-Changes
Just gonna have to be a different man
Time may change me
But I can’t trace time
I watch the ripples change their size
But never leave the stream
Of warm impermanence and
So the days float through my eyes
But still the days seem the same
And these children that you spit on
As they try to change their worlds
Are immune to your consultations
They’re quite aware of what they’re going through
Ch-ch-ch-ch-Changes
(Turn and face the strain)
Ch-ch-Changes
Don’t tell t hem to grow up and out of it
Ch-ch-ch-ch-Changes
(Turn and face the strain)
Ch-ch-Changes
Where’s your shame
You’ve left us up to our necks in it
Time may change me
But you can’t trace time
Strange fascination, fascinating me
Changes are taking the pace I’m going through
Ch-ch-ch-ch-Changes
(Turn and face the strain)
Ch-ch-Changes
Oh, look out you rock ‘n rollers
Ch-ch-ch-ch-Changes
(Turn and face the strain)
Ch-ch-Changes
Pretty soon you’re gonna get a little older
Time may change me
But I can’t trace time
I said that time may change me
But I can’t trace time
Bellamy C. Arts Birthday (and Craig’s too!). craigbellamy.net. 2009. Available at: http://www.craigbellamy.net/2009/01/12/arts-birthday-and-craigs-too/. Accessed March 12, 2010.
APA citation:
Bellamy, Craig. (2009). Arts Birthday (and Craig’s too!). Retrieved March 12, 2010, from craigbellamy.net Web site: http://www.craigbellamy.net/2009/01/12/arts-birthday-and-craigs-too/
Chicago citation:
Bellamy, Craig. 2009. Arts Birthday (and Craig’s too!). craigbellamy.net. http://www.craigbellamy.net/2009/01/12/arts-birthday-and-craigs-too/ (accessed March 12, 2010).
Harvard citation:
Bellamy, C 2009, Arts Birthday (and Craig’s too!), craigbellamy.net. Retrieved March 12, 2010, from <http://www.craigbellamy.net/2009/01/12/arts-birthday-and-craigs-too/>
From 18 August through to 26 September 97, ABC Classic FM’s The Listening Room presented Sensorium Connect / Body Morph, a generative composition by composer Andrew Garton comprising of sounds sampled from performances by Stelarc.
On 11 January 2009 KunstRadio will broadcast an entirely new version of this work. Sensorium Re-Connect commemorates the work of The Listening Room and the contribution this piece made to furthering radio and sound art online in Australia (link).
Bellamy C. SENSORIUM RE-CONNECTED by Andrew Garton. craigbellamy.net. 2009. Available at: http://www.craigbellamy.net/2009/01/11/sensorium-re-connected-by-andrew-garton/. Accessed March 12, 2010.
APA citation:
Bellamy, Craig. (2009). SENSORIUM RE-CONNECTED by Andrew Garton. Retrieved March 12, 2010, from craigbellamy.net Web site: http://www.craigbellamy.net/2009/01/11/sensorium-re-connected-by-andrew-garton/
Chicago citation:
Bellamy, Craig. 2009. SENSORIUM RE-CONNECTED by Andrew Garton. craigbellamy.net. http://www.craigbellamy.net/2009/01/11/sensorium-re-connected-by-andrew-garton/ (accessed March 12, 2010).
Harvard citation:
Bellamy, C 2009, SENSORIUM RE-CONNECTED by Andrew Garton, craigbellamy.net. Retrieved March 12, 2010, from <http://www.craigbellamy.net/2009/01/11/sensorium-re-connected-by-andrew-garton/>
MLA citation:
Bellamy, Craig. "SENSORIUM RE-CONNECTED by Andrew Garton." 11 Jan. 2009. craigbellamy.net. Accessed 12 Mar. 2010. <http://www.craigbellamy.net/2009/01/11/sensorium-re-connected-by-andrew-garton/>
(Thanks to the Arts and Humanities eScience support centre at King’s for the link)
The Aus-e-Lit project aims to address the eResearch needs of researchers involved in the study of Australian literature and Australian print culture. AustLit is a non-profit collaboration between the National Library of Australia and twelve Universities. It provides an important resource for scholars undertaking research into many aspects of Australian literary heritage and print culture history. The Aus-e-Lit project will enhance and extend the AustLit web portal with (link)
Bellamy C. What is Aus-e-lit?. craigbellamy.net. 2008. Available at: http://www.craigbellamy.net/2008/11/17/what-is-aus-e-lit/. Accessed March 12, 2010.
APA citation:
Bellamy, Craig. (2008). What is Aus-e-lit?. Retrieved March 12, 2010, from craigbellamy.net Web site: http://www.craigbellamy.net/2008/11/17/what-is-aus-e-lit/
Chicago citation:
Bellamy, Craig. 2008. What is Aus-e-lit?. craigbellamy.net. http://www.craigbellamy.net/2008/11/17/what-is-aus-e-lit/ (accessed March 12, 2010).
Harvard citation:
Bellamy, C 2008, What is Aus-e-lit?, craigbellamy.net. Retrieved March 12, 2010, from <http://www.craigbellamy.net/2008/11/17/what-is-aus-e-lit/>
MLA citation:
Bellamy, Craig. "What is Aus-e-lit?." 17 Nov. 2008. craigbellamy.net. Accessed 12 Mar. 2010. <http://www.craigbellamy.net/2008/11/17/what-is-aus-e-lit/>
September 2, 2008 at 9:32 am · Filed under art, media, mobile
After a month of deliberation, fandom, and some pretty abject name calling, Portable is proud to announce the winners of its 2008 festival, chosen by the likes of you!
Specially designed robots, working an algorhythm between total views, total ratings, and overall rating for each film, have worked night and day in front of one of those Good Will Hunting-style whiteboards with intimidating looking equations on it to work out the following…
Congratulations (and free stuff) goes out to (link)
Bellamy C. Winners Portable Film Festival. craigbellamy.net. 2008. Available at: http://www.craigbellamy.net/2008/09/02/winners-portable-film-festival/. Accessed March 12, 2010.
APA citation:
Bellamy, Craig. (2008). Winners Portable Film Festival. Retrieved March 12, 2010, from craigbellamy.net Web site: http://www.craigbellamy.net/2008/09/02/winners-portable-film-festival/
Chicago citation:
Bellamy, Craig. 2008. Winners Portable Film Festival. craigbellamy.net. http://www.craigbellamy.net/2008/09/02/winners-portable-film-festival/ (accessed March 12, 2010).
Harvard citation:
Bellamy, C 2008, Winners Portable Film Festival, craigbellamy.net. Retrieved March 12, 2010, from <http://www.craigbellamy.net/2008/09/02/winners-portable-film-festival/>
MLA citation:
Bellamy, Craig. "Winners Portable Film Festival." 2 Sep. 2008. craigbellamy.net. Accessed 12 Mar. 2010. <http://www.craigbellamy.net/2008/09/02/winners-portable-film-festival/>
...this blog is obsessively directed at profiling some of the digital humanities developments (in a cultural, political and social sense and in terms of books, technologies, and applications)...it is an aggregation or 'meta' style blog with the occasional commentary; the broad research fields are the Digital Humanities, Social Software, eResearch, and New Media...
Hi, my name is Dr Craig Bellamy and I am an eResearch Analyst for the Victorian eResearch Strategic Initiative (for the Arts and Humanities) based at the University of Melbourne ...and it is my goal to join every online social networking thingee in the whole damn world!...