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Archive for collaboration

What is VeRSI?

Overview of VeRSI from VeRSI on Vimeo.

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DHO Summer School 28 June – 2 July 2010, Trinity College, Dublin

Registration is now open for the 2010 Summer School. Please see the registration page for further details.

The Digital Humanities Observatory in conjunction with NINES and the EpiDoc Collaborative is pleased to offer the DHO Summer School 2010. It will bring together 60 Irish and International humanities scholars undertaking digital projects in diverse areas to explore issues and trends of common interest. Workshops and lectures will offer attendees opportunities to develop their skills, share insights, and discover new opportunities for collaboration and research. Activities focus on the theoretical, technical, administrative, and institutional issues relevant to the needs of digital humanities projects today.
The full summer school package offers participants four week-long workshop strands to choose from, a second day–long workshop and two lectures all on innovative topics by leading experts and theorists in digital humanities with additional options of private consultation time with a digital humanities specialist and evening social activities.
For those unable to attend the full Summer School, it is possible to register for the one-day workshop and/or one or both of the lectures (link)

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Clay Shirky on social media, communities, and Open Hack Day

New York University professor Clay Shirky, an expert on social media, kicked off Yahoo!’s Open Hack Day NYC 2009 with a thoughtful keynote on what motivates people to participate in online communities (Thanks to Leigh B. for the link)

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Report back: ‘Tools for Scholarly Editing over the Web’ Birmingham, 24 September

I attended the ‘Tools for Scholarly Editing over the Web’ workshop on Thursday (24 September) organised by the Institute for Textual Scholarship and Electronic Editing at the University of Birmingham. There were presentation by many leading figures of electronic textual editing from the US, Canada, Germany, Italy, Australia, Ireland, and Britain. The workshop was organised to discuss the movement towards online collaborative tools for scholarly editing and the problems and opportunities associated with this. Peter Robinson the Director of the Institute of Textual Scholarship and Electronic Editing and organiser of the event outlined the major issues as 1) ownership and control, 2) sustainability, and 3) interoperability (these were discussed in detail at a separate session on the second day) .

Joris van Zundert from the Huygens Institute in The Hague spoke first about moving humanities tools towards ‘networked services’. Many tools are developed for individual projects and are not often re-usable within other projects. By providing  tools online (or ‘micro services’ that can be plugged into a generic software frameworks), other projects may use them to say, parse TEI XML texts, tokenise texts, or apply other methods required to transcribe and annotate text. His vision,  shared by many projects, is for scholars to obtain their text from digital repositories, pipe it through a number of micro-services, and then end up with annotated and transcribed data. The particular content that Zandert is working with is critical editions of Middle Dutch; not easily automated through Optical Character Recognition Systems (thus a collaborative translation system is required).

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‘Tools for Collaborative Scholarly Editing over the Web’

University of Birmingham,24-25 September, 2009.

This workshop will review and address the making of tools for collaborative scholarly editing over the web. The workshop leaders joins partners in the COST-ESF Interedition project (http://www.interedition.eu), which is focussing – as is the JISC-funded Virtual Manuscript Room project — on Europe-wide creation of infrastructure and tools for collaborative scholarly editing. The Australian Aust-e-Lit project will bring advanced experience of the making and working of collaborative tools with in for a national scholarly digital library. The workshop will allow key participants in Interedition, Aust-e-Lit, and in similar enterprises outside Europe to exchange information with UK scholars active in the area, and to explore common problems and possibilities for further collaboration (link).

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eResearch Australasia Newsletter

The eResearch field in Australasia produces a monthly newsletter to inform punters of developments in the field. It is published online and via email.

A monthly newsletter carrying items of interest to the Australasian eResearch community is published via the mailing list eresearch-announce@eresearch.edu.au and archived here.  If you would like to subscribe, send a plain text message to majordomo@eresearch.edu.au with the words subscribe eresearch-announce in the message body. You can unsubscribe at any time.

If you have an item you would like to include in the newsletter, please send it to newsletter@eresearch.edu.au.  The newsletter is published the first business day of each month, and submissions are due two business days prior to that.  Each item should be no more than 150 words of plain text with a link for further information (link to newsletter)

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Humanities text-mining in the Digital Library (MONK)

Abstract

MONK (Metadata Offer New Knowledge) is a digital environment designed to help humanities scholars discover and analyze patterns in the texts they study. It supports both micro analyses of the verbal texture of an individual text and macro analyses that let you locate texts in the context of a large document space consisting of hundreds or thousands of other texts. Shuttling between the “micro” and the “macro” is a distinctive feature of the MONK environment, where you may read as closely as you wish but can also practice many forms of what Franco Moretti has provocatively called “distant reading.”

Website
http://www.monkproject.org/
Principal Investigator
John Unsworth
Funding
$999,883, The Andrew W. Mellon Foundation

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Survey: Virtual Reseach Environment Collaboartive Landscape Study

What is a VRE?

“…a Virtual Research Environment (VRE) is an an online framework of collaborative tools and resources that allow researchers to share and re-use data, combine services, and undertake tasks to promote new collaborative research practices….”

The VRE Collaborative Landscape Study project is one of several studies commissioned by the UK Joint Information Systems Committee (JISC) to research on-line research collaboration in Virtual Research Environments (VREs). The focus of our study is to scope developments in VREs around the world and set them in relation to the activities in the UK.

The study aims to stimulate debate about the benefits of research collaboration facilitated by Virtual Research Environments so as to assist the JISC to provide services and strategies to support it.

The project is being undertaken by the Centre for e-Research at King’s College London and the Oxford e-Research Centre at the University of Oxford.

If you are a user, developer, or provide technical support for VREs, your input would be most welcome .

http://www.survey.bris.ac.uk/kcl/vrelandscape

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Christine Borgman lecture@OII

christine_borgman

Christine Borgman gave an interesting lecture at OII (Oxford Internet Institute)  recently (she is one of the Keynote speakers at this years Digital Humanities Conference.  One of the major points that I retained from this talk is that Data is not objective fact. Data is simply the ‘alleged evidence’ as one researchers observations may differ from anthers (this is almost always the case in the humanities). The lecture is available online.

Capturing and curating data for reuse is a key challenge of cyberinfrastructure: Christine Borgman compares developments in scholarly information infrastructure and cyberlearning, reflecting on the implications for scholarship in the digital age (link).

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Digital Humanities Observatory (DHO) wins NEH Grant

dho_logo

(The new Digital Humanities Observatory in Dublin has some innovative projects. This new ‘VRE’ (Virtual Research Environment) collaborative-style of project may be of interest to viewers).

A collaborative project between the Digital Humanities Observatory, the Maryland Institute for Technology in the Humanities (MITH), and Indiana University Bloomington has been selected to receive a major grant from the National Endowment for the Humanities Preservation and Access: Humanities Collections and Resources program (research and development focus). The project, Text-Image Linking Environment (TILE) will over two years develop a new web-based, modular, collaborative image markup tool for both manual and semi-automated linking between encoded text and image of text, and image annotation. Dot Porter, DHO’s Metadata Manager, will lead the team at the DHO.

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The Internet as Playground and Factory

logo

(This conference about Labour online may be of interest.  From my rudimentary understanding ‘free’ labour online is a fairly contentious issue as online labour may be pooled by large commercial interests and used to accumulate profit without distributing the fruits of this labour to users).

Dear all,

You can now join the discussion about topics of user “labor” related to the conference “The Internet as Playground and Factory.”

Introduction:
http://www.digitallabor.org/

Join the list and introduce yourself:
http://is.gd/OdX0

Follow the conference on Twitter:
http://twitter.com/idctweets

A few questions from the introduction:

* Is it possible to acknowledge the moments of ruthless exploitation while not eradicating optimism, inspiration, and the many instances of individual financial and political empowerment?

* What is labor and where is value produced?

* Are strategies of refusal an effective response to the expropriation of value from interacting users?

* How is the global crisis of capitalism linked to the speculative performances of the digital economy?

* What can we learn from the “cyber sweatshops” class-action lawsuit against AOL under the Fair Labor Standards Act in the early 1990s?

* How does this invisible interaction labor affect our bodies? What were key steps in the history of interaction design that managed to mobilize and structure the social participation of bodies and psyches in order to capture value?

* Most interaction labor, regardless whether it is driven by monetary motivations or not, is taking place on corporate platforms. Where does that leave hopeful projections of a future of non-market peer production?

best,
Trebor Scholz
– iDC

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New Group: Social Software in the Digital Humanities

(This new group on Arts-humanities.net may be of interest to punters.  It is primarily focussed upon ’social software’ theory, techniques, and applications within the Digital Humanities.  As it is a new group, we are more than open about its skippering within the choppy Web 2 sea).

The aim of this group is to critically discuss and share thoughts about the use of social software applications, techniques, and principles within the Digital Humanities. Join this group here http://www.arts-humanities.net/deliberative_humanism_social_…

For the purpose of this group, the Digital Humanities is defied as the application of computational methods and associated tools to address specific humanities research problems. Distinct from general computing approaches, the banner term ‘Digital Humanities’ is an ‘attitude towards computing’ that is embedded within the research concerns of the disciplines and sub-fields that make up the humanities. The methods employed in the field may be used to uncover new knowledge about corpora or to visualise research data in such a way as to uncover additional insights and meaning. Succinctly the Digital Humanities (or Humanities Computing) is about structuring, analysing and communicating humanistic knowledge in a critical way using computing technology.

And as in many fields, the social and participatory architectural frameworks associated with ’social software’ is increasing a part of the Digital Humanities. Social software is usually web-based and is a way for researchers to share data and research-labour that comprises of a series of debates about tool, socio-technical design, and concept choice. Social software may be one way to open up new styles of collaboration in the Digital Humanities between software developers, humanists, and audiences. Join in the conversation!

*Suggested topics may include*:

*Collaborative labour arrangements for researchers (collaborative work functions)

*Maintaining on-line communities

*APIs, web services, and mash-ups

*Trends in the blogosphere

*New Social Software Applications

*Community annotation and tagging

*Computer mediated communication

*Service oriented architecture

*Governance (bottom-up or top Down)

*Work-flow analysis

*Designing Research Deliberation

mmb_matrix_socialsoftware_20061

(This images; utilising a matrix approach to critically understanding Web 2.0 design can be found at the medienpaedagogik blog at: http://medienpaedagogik.kaywa.com/social-software/index.html )

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Podcast/Press Release: ‘HE in a Web 2.0 World’ report

web2

JISC recently released a report on ‘Higher Education in a Web 2.0 World’. The aim of the report is to critically assess recent Web-based developments commonly termed ‘Web 2.0′ and assess them in relation to education and pedagogical practice. The report is available on-line and in hard-copy; plus some of the key findings are discussed in a podcast with David Melville, one of the report’s authors.

Some of the key findings of that report are that students may not be developing the critical skills to evaluate information and that ‘Web 2.0′ may be promoting shallowness. And although Melville discusses Web 2.0 as a solution to all sorts of social ills from those associated with multiculturalism and globalism to a ‘collaborative’ deficit in education, I do worry that the report itself is not critical enough as many technologies are produced within commercial and other contexts that may not have the unique interests of education in mind.

The report and podcast is available on the JISC website; discussions in this forum are most welcome.
http://www.jisc.ac.uk/news/stories/2009/05/podcast80heinaweb

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How to improve your Twitter voice!

twitter-bird

I have to admit that my twitter voice could be a lot better.  I have just started ‘twitting’ and sort of get it, but don’t quite understand how twitter fits into the social world (and who reads it?).  Still, it is comforting to know that so many of my Digital Humanities colleagues have found my tweet address (and I suspect that this is because I feed my tweets  into my blog and facebook).

And I am watching a live seminar online at the moment from an ad agency that is demonstrating to charities and non-profit organisations how to use Twitter and other social media effectively.  I will get back to you on that one;  but the main thing to remember that social software is fundamentally about people so it helps if you are one in the first place (oh, and thanks to Andy W for the Tweet link).

The tag for the event is:  #NFPtweetup

And check out Twitter analyser. It is a way in analysing your twitter voice (or lack of one!) http://www.twitteranalyzer.com

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Research Assistant in the use of Virtual Research Environments and Social Networking Applications

web22

(This is a most excellent job working on a project funded under JISC’s VRE programme III).

Applications are invited for the full-time post of Research
Assistant in the UCL Department of Information Studies to work on
LinkSphere: a joint research project with the University of Reading,
funded by the JISC Virtual Research Environment 3 programme. The project
will develop a virtual research environment which will allow
cross-repository searching across various digital collections and
archives, producing a useful user interface to various disparate digital
collections. The project will study the way that social networking
technologies are used by academics and how they might be integrated into
a VRE. Development of the technologies will be undertaken at the
University of Reading, with user analysis and usability from the team at
UCL.

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