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	<title>CraigBellamy.net(.au) &#187; pedagogy</title>
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	<link>http://www.craigbellamy.net</link>
	<description>digital humanities: melbourne australia</description>
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		<title>Teaching the Digital Humanities (Interdisciplinary) Journey</title>
		<link>http://www.craigbellamy.net/2011/01/11/teaching-the-digital-humanities-journey/</link>
		<comments>http://www.craigbellamy.net/2011/01/11/teaching-the-digital-humanities-journey/#comments</comments>
		<pubDate>Tue, 11 Jan 2011 06:45:03 +0000</pubDate>
		<dc:creator>Craig</dc:creator>
				<category><![CDATA[digital humanities]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://www.craigbellamy.net/?p=2941</guid>
		<description><![CDATA[Like many interdisciplinary fields within the humanities, the Digital Humanities consists of a broad range of researchers arriving within its fold from a range of disciplinary practices (and for a variety of different purposes). These may include disciplines as diverse as Papyrology, Musicology, Classics, Epigraphy, Medieval Studies, history and Classical Archaeology.  The Digital Humanities, through [...]]]></description>
			<content:encoded><![CDATA[<div id="attachment_2952" class="wp-caption alignleft" style="width: 210px"><img class="size-full wp-image-2952" title="interdisciplinary" src="http://www.craigbellamy.net/images//interdisciplinary.jpg" alt="" width="200" height="200" /><p class="wp-caption-text">Solving common problems in the Digital Humanities</p></div>
<p>Like many interdisciplinary fields within the humanities, the Digital Humanities consists of a broad range of researchers arriving within its fold from a range of disciplinary practices (and for a variety of different purposes). These may include disciplines as diverse as Papyrology, Musicology, Classics, Epigraphy, Medieval Studies, history and Classical Archaeology.  The Digital Humanities, through its journals, undergraduate and postgraduate programmes, conferences, and research output is a fertile interdisciplinary space synergised, in part, through computing innovations at the research-methodology level. The methods employed in the field may involve text-encoding to create scholarly and critical editions of canonical texts, text mining techniques to uncover new historical knowledge about geographical place or word usage, or visualising data about archaeological sites to propose new arguments about their building practices or cultural uses. Many of the methods employed in one research endeavour may be applicable to another and it is this hard-gained wisdom in the Digital Humanities field; to facilitate the productive application of technical innovations to the appropriate research question, that is difficult to teach.</p>
<p>Accordingly, much of the most valuable tacit knowledge of the digital humanist is in negotiating the cultural and technical capitals of the academy and is, ironically, historically contingent upon the precarious institutional arrangements of the field.  A field that has traditionally lacked an institutional base to support long-term research strategies has in fact, produced many impressive contributions to scholarship and indeed, produced some of the most sophisticated interdisciplinary scholars anywhere in the academy. Trouble is how does one teach a set of skills that were often developed out of necessity? How does one impart to eager undergrad and graduate students the skills needed to develop and interpret digital projects that engage with the human record in a meaningful and purposeful way?</p>
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		<item>
		<title>New forms of doctorate</title>
		<link>http://www.craigbellamy.net/2009/05/19/new-forms-of-doctorate/</link>
		<comments>http://www.craigbellamy.net/2009/05/19/new-forms-of-doctorate/#comments</comments>
		<pubDate>Tue, 19 May 2009 15:09:44 +0000</pubDate>
		<dc:creator>Craig</dc:creator>
				<category><![CDATA[design]]></category>
		<category><![CDATA[digital humanities]]></category>
		<category><![CDATA[humanities computing]]></category>
		<category><![CDATA[pedagogy]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[doctorate]]></category>
		<category><![CDATA[education]]></category>
		<category><![CDATA[ETD]]></category>
		<category><![CDATA[PhD]]></category>
		<category><![CDATA[theses]]></category>

		<guid isPermaLink="false">http://www.craigbellamy.net/?p=1608</guid>
		<description><![CDATA[I attended an ESRC funded seminar today and organised by the Landsdown Centre for Electronic Arts on new forms of doctorates. This was the third seminar in the series. As someone who undertook a practice based PhD some years back (that admittedly was not altogether a totally a rewarding institutional experience), I found the seminar [...]]]></description>
			<content:encoded><![CDATA[<p>I attended an ESRC funded seminar today and organised by the Landsdown Centre for Electronic Arts on new forms of doctorates. This was the third seminar in the series. As someone who undertook a practice based PhD some years back (that admittedly was not altogether a totally a rewarding institutional experience), I found the seminar both stimulating and cathartic. David Durling, a Professor of Art and Design at Middlesex University, discussed the history of the PhD within the Design field emphasising the difference between ‘practice’ and ‘research’. He also discussed the difference between a ‘Doctorate’ and a ‘PhD’ which the former being more professional and vocational whilst the later is research-based. He stressed in his talk is that not all disciplines have identical cognate skills and some require the development of research skills in areas such as visual communication and performance. </p>
<p>The research qualification that is the PhD must provide reliable evidence that is discoverable and re-usable by others. And a PhD must provide an original argument within the rigours of a peer-assessed field and this argument must stand up against competing evidence. If it does this; the form shouldn’t be the major concern as the major concern should be whether the form presented is adequate enough evidence to communicate the tacit knowledge of the researcher and the research endeavour undertaken (and the required cognate skills). Many forms aren&#8217;t up to this task.</p>
<p>And I do worry a little that debates about new forms of PhDs may be so complex and un-containable that they are in danger of being hijacked by anti-academic and simplistic discourses such a <a href="http://en.wikipedia.org/wiki/Technological_determinism">technological determinism</a>. Not all technical &#8216;progress&#8217; is in the interest of research and education.</p>
<p>The second speaker, Professor Stephen Boyd Davis, Director of the Landsdown Centre for Electronic Arts, talk was titled ‘Defending the Thesis: why the written thesis is better idea than ever’. He argued that a PhD makes explicit the implicit and makes overt the tacit. I liked his term ‘cognitive performance’; something that is developed though the rigours of arguing a position via a linear, argumentative and evidence-based narrative over a long period of time. </p>
<p>I do worry that new communication devices at times privilege the short term and the practical and research should never shy away from grand and significant questions that may not have a quick and practical fix. I particularly liked how he presented his own thesis to the audience revealing his use of image and text. As he implied; how we understand the ‘traditional’ written thesis has changed considerably, at least in terms of access to it and the content within it. Many theses are now available online that can be searched and parsed by search tools and text-mining tools thus making the text more readily available and perhaps contestable.</p>
<p>Many of these debates are incredibly important to the Digital Humanities as practice is so central to the field. Within the Digital Humanities I prefer the concept of an ‘ETD’ or Electronic Theses and Dissertation as it retains the ‘traditional’ framework of the written thesis but also allows computational digital objects to be embedded within it. It could also be used as a framework to publish critical editions of classical texts whist embedding the critical and argumentative apparatus within it. An ETD could also be published in two versions; one digital and one paper. This is as long as the digital component adheres to digital preservations conventions and standards and the University has the ability to store it (in many Universities the later is not the case).</p>
<p>More information can be found on the seminar series blog: <a href="http://newdoctorates.blogspot.com/">http://newdoctorates.blogspot.com/</a> </p>
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		<item>
		<title>100+ Places to Find Funding For Your Research</title>
		<link>http://www.craigbellamy.net/2008/07/24/100-places-to-find-funding-for-your-research/</link>
		<comments>http://www.craigbellamy.net/2008/07/24/100-places-to-find-funding-for-your-research/#comments</comments>
		<pubDate>Thu, 24 Jul 2008 12:32:57 +0000</pubDate>
		<dc:creator>Craig</dc:creator>
				<category><![CDATA[digital humanities]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://www.craigbellamy.net/?p=944</guid>
		<description><![CDATA[Whether you&#8217;re researching the habits of marine life, ancient texts or just a new way to market products, you&#8217;ll likely need some funding to get your studies underway. The Internet is a great place to start looking for sources of funding, and we&#8217;ve put together a list here of a hundred or so places where [...]]]></description>
			<content:encoded><![CDATA[<blockquote><p>Whether you&#8217;re researching the habits of marine life, ancient texts or just a new way to market products, you&#8217;ll likely need some funding to get your studies underway. The Internet is a great place to start looking for sources of funding, and we&#8217;ve put together a list here of a hundred or so places where you can get some assistance for your next big research project (<a href="http://oedb.org/library/beginning-online-learning/100_places_to_find_funding_your_research" target="_blank">link</a>)</p></blockquote>
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		<item>
		<title>How stupid can university rankings get?</title>
		<link>http://www.craigbellamy.net/2008/05/25/how-stupid-can-university-rankings-get-rmit/</link>
		<comments>http://www.craigbellamy.net/2008/05/25/how-stupid-can-university-rankings-get-rmit/#comments</comments>
		<pubDate>Sun, 25 May 2008 19:17:25 +0000</pubDate>
		<dc:creator>Craig</dc:creator>
				<category><![CDATA[pedagogy]]></category>
		<category><![CDATA[pod casts]]></category>

		<guid isPermaLink="false">http://www.craigbellamy.net/?p=928</guid>
		<description><![CDATA[This is an indication on just how relative, simplistic, and self-serving the so-called university &#8216;global&#8217; rating system has become. A university in Melbourne , unable, it seems, to compete on the rather insane ranking system created by newspapers like the London Times, has decided to create its own ranking system. And who comes on top [...]]]></description>
			<content:encoded><![CDATA[<p>This is an indication on just how relative, simplistic, and self-serving the so-called university &#8216;global&#8217; rating system has become.  A university in Melbourne , unable, it seems, to compete on the rather insane ranking system created by newspapers like the London Times, has decided to create its own ranking system. And who comes on top of this ranking system do you think? The city of Melbourne and a university that doesn&#8217;t even have a humanities school. Subjective or what? Apples and Pears or what? (<a href="http://www.theage.com.au/news/national/ranking-on-unis-a-bonus-for-city/2008/05/25/1211653848663.html" target="_self">link</a>)</p>
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		<item>
		<title>Peer review and evaluation of digital resources for the Arts and Humanities</title>
		<link>http://www.craigbellamy.net/2007/02/27/peer-review-and-evaluation-of-digital-resources-for-the-arts-and-humanities/</link>
		<comments>http://www.craigbellamy.net/2007/02/27/peer-review-and-evaluation-of-digital-resources-for-the-arts-and-humanities/#comments</comments>
		<pubDate>Mon, 26 Feb 2007 14:26:53 +0000</pubDate>
		<dc:creator>Craig</dc:creator>
				<category><![CDATA[art]]></category>
		<category><![CDATA[digital humanities]]></category>
		<category><![CDATA[humanities computing]]></category>
		<category><![CDATA[journals]]></category>
		<category><![CDATA[pedagogy]]></category>

		<guid isPermaLink="false">http://www.craigbellamy.net/2007/02/27/peer-review-and-evaluation-of-digital-resources-for-the-arts-and-humanities/</guid>
		<description><![CDATA[Here is a report done in the UK to help advance peer review processes for digital work in the arts and humanities. Peer review is a problematic issue, especially in Australia, in that many academics who don&#8217;t invest any intellectual energy into advancing digital work for humanistic purposes are (ironically) rewarded more than those academics [...]]]></description>
			<content:encoded><![CDATA[<p>Here is a report done in the UK to help advance peer review processes for digital work in the arts and humanities. Peer review is a problematic issue, especially in  Australia, in that many academics who don&#8217;t invest any intellectual energy into advancing digital work for humanistic purposes are (ironically) rewarded more than those academics that do advance it (ie. only peer-reviewed journal articles and books are quantifiable as &#8216;research&#8217; whilst digital scholarship is marginalised). Another related problem is that many academics &#8216;critically&#8217; understand popular and commercial software at the expense of a more scholarly appreciation of academic software. Let&#8217;s hope that these emerging peer-review processes can foster more well-rounded research. Peer processes not only need to recognise digital-scholarly-output, but they also need to make sure that academics are not unduly rewarded (through promotion, tenure, and other rewards) for not investing in digital technology.</p>
<blockquote><p>The mechanisms for the evaluation and peer review of the traditional print        outputs of scholarly research in the arts and humanities are well established,        but no equivalent exists for assessing the value of digital resources and        of the scholarly work which leads to their creation. This project proposes        to establish a framework for evaluating the quality, sustainability and        impact over time of digital resources for the arts and humanities, using        History, in its broadest sense, as a case study (<a target="_blank" href="http://www.history.ac.uk/digit/peer/">link</a>).</p></blockquote>
<p>Also, check out the criteria for promotion and tenure guidelines developed by the University of Maine, in the US:</p>
<p style="margin-left: 40px">Recognition and achievement in the field of new media must be measured by standards as high as but different from those in established artistic or scientific disciplines. As the reports from the American Council of Learned Societies, the Modern Language Association, and the University of Maine recommend, promotion and tenure guidelines must be revised to encourage the creative and innovative use of technology if universities are to remain competitive in the 21st century (<a target="_blank" href="http://newmedia.umaine.edu/interarchive/new_criteria_for_new_media@m.html">link</a>).</p>
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		<title>Preparing Students for User-Led Content Production</title>
		<link>http://www.craigbellamy.net/2006/11/27/preparing-students-for-user-led-content-production/</link>
		<comments>http://www.craigbellamy.net/2006/11/27/preparing-students-for-user-led-content-production/#comments</comments>
		<pubDate>Mon, 27 Nov 2006 11:25:27 +0000</pubDate>
		<dc:creator>Craig</dc:creator>
				<category><![CDATA[blogs]]></category>
		<category><![CDATA[education]]></category>
		<category><![CDATA[pedagogy]]></category>
		<category><![CDATA[social media]]></category>
		<category><![CDATA[web2.0]]></category>
		<category><![CDATA[Advocate]]></category>

		<guid isPermaLink="false">http://www.craigbellamy.net/2006/11/27/preparing-students-for-user-led-content-production/</guid>
		<description><![CDATA[Here is a recorded talk given by the prolific Axel Bruns of QUT at the ATOM Conference 2006 (link). Like most somewhat commercially-orientated researchers, this researcher works in a very crowded field and his most potent contribution seems to be in teaching rather that definable original research. I.e. too much process orientation, and not enough [...]]]></description>
			<content:encoded><![CDATA[<p>Here is a recorded talk given by the prolific Axel Bruns of QUT at the ATOM Conference 2006 (<a href="http://snurb.info/node/604">link</a>). Like most somewhat commercially-orientated researchers, this researcher works in a very crowded field and his most potent contribution seems to be in teaching rather that definable original research. I.e. too much process orientation, and not enough context and content, and I can&#8217;t really see anything original and significant apart from Bruns changing the words to describe what is already pretty much well-known in main stream thought. And I am indifferent to his research networks; but this happens in research, even in small countries. Pockets of like-minded people appear that are hostile to alternative views, but luckily in crowded fields, they aren&#8217;t that difficult to go around (a small speed hump rather than a mountain). His recent book on blogs perhaps reveals what happens in crowded fields; researchers retreat into islands of like-minded people that lack fresh insight and the ability to explore significant other contributions beyond comfortable and predictable networks of &#8216;like minded&#8217; people. I wonder if this is common in the academy and how it effects research output? Now there is a research proposal for you; a Randall Collins type enquiry into academic networks in crowded fields in Australia.</p>
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		<title>Morning Coffee with Craig: Do you have time to think?</title>
		<link>http://www.craigbellamy.net/2006/11/25/morning-coffee-with-craig-do-you-have-time-to-think/</link>
		<comments>http://www.craigbellamy.net/2006/11/25/morning-coffee-with-craig-do-you-have-time-to-think/#comments</comments>
		<pubDate>Sat, 25 Nov 2006 13:47:14 +0000</pubDate>
		<dc:creator>Craig</dc:creator>
				<category><![CDATA[pedagogy]]></category>
		<category><![CDATA[political communication]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[video diary]]></category>
		<category><![CDATA[web2.0]]></category>
		<category><![CDATA[Advocate]]></category>

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		<description><![CDATA[]]></description>
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		<title>What is Participatory Culture and Web2.0 ?</title>
		<link>http://www.craigbellamy.net/2006/11/20/what-is-participatory-culture-and-web20/</link>
		<comments>http://www.craigbellamy.net/2006/11/20/what-is-participatory-culture-and-web20/#comments</comments>
		<pubDate>Mon, 20 Nov 2006 05:53:27 +0000</pubDate>
		<dc:creator>Craig</dc:creator>
				<category><![CDATA[pedagogy]]></category>
		<category><![CDATA[web2.0]]></category>
		<category><![CDATA[Advocate]]></category>

		<guid isPermaLink="false">http://www.craigbellamy.net/2006/11/20/what-is-participatory-culture-and-web20/</guid>
		<description><![CDATA[Thanks to Henry Jenkins and Howard Rheingold (link to a USC Annenberg Centre&#8217;s blog) We have also identified a set of core social skills and cultural competencies that young people should acquire if they are to be full, active, creative, and ethical participants in this emerging (online) participatory culture: Play &#8212; the capacity to experiment [...]]]></description>
			<content:encoded><![CDATA[<p>Thanks to Henry Jenkins and Howard Rheingold (<a href="http://weblogs.annenberg.edu/diy/2006/10/jenkins_et_al_on_participatory.html">link</a> to a USC Annenberg Centre&#8217;s blog)</p>
<blockquote><p>We have also identified a set of core social skills and cultural competencies that young people should acquire if they are to be full, active, creative, and ethical participants in this emerging (online) participatory culture:</p>
<p><strong>Play</strong> &#8212; the capacity to experiment with your surroundings as a form of problem-solving</p>
<p><strong>Performance</strong> &#8212; the ability to adopt alternative identities for the purpose of improvisation and discovery<br />
<span id="more-567"></span></p>
<p><strong>Simulation</strong> &#8212; the ability to interpret and construct dynamic models of real world processes</p>
<p><strong>Appropriation</strong> &#8212; the ability to meaningfully sample and remix media content</p>
<p><strong>Multitasking</strong> &#8212; the ability to scan one&#8217;s environment and shift focus as needed to salient details.</p>
<p><strong>Distributed Cognition</strong> &#8212; the ability to interact meaningfully with tools that expand mental capacities</p>
<p><strong>Collective Intelligence</strong> &#8212; the ability to pool knowledge and compare notes with others toward a common goal</p>
<p><strong>Judgment</strong> &#8212; the ability to evaluate the reliability and credibility of different information sources</p>
<p><strong>Transmedia Navigation</strong> &#8212; the ability to follow the flow of stories and information across multiple modalities</p>
<p><strong>Networking</strong> &#8212; the ability to search for, synthesize, and disseminate information</p>
<p><strong>Negotiation</strong> &#8212; the ability to travel across diverse communities, discerning and respecting multiple perspectives, and grasping and following alternative norms.</p>
<p>Some children are acquiring some of these skills through their participation in the informal learning communities that surround popular culture. Some teachers are incorporating some of these skills into their classroom instruction. Some afterschool programs are incorporating some of these skills into their activities. Yet, as the above qualifications suggest, the integration of these important social skills and cultural competencies remains haphazard at best. Media education is taking place for some youth across a variety of contexts, but it is not a central part of the educational experience of all students. Our goal for this report is to encourage greater reflection and public discussion on how we might incorporate these core principles systematically across curricula and across the divide between in-school and out-of-school activities. Such a systemic approach is needed if we are to close the participation gap, confront the transparency problem, and help young people work through the ethical dilemmas they face in their everyday lives. Such a systemic approach is needed if children are to acquire the core social skills and cultural competencies needed in a modern era.
</p></blockquote>
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		<title>Student use of Wikipedia</title>
		<link>http://www.craigbellamy.net/2006/11/16/student-use-of-wikipedia/</link>
		<comments>http://www.craigbellamy.net/2006/11/16/student-use-of-wikipedia/#comments</comments>
		<pubDate>Thu, 16 Nov 2006 02:59:44 +0000</pubDate>
		<dc:creator>Craig</dc:creator>
				<category><![CDATA[blogs]]></category>
		<category><![CDATA[pedagogy]]></category>
		<category><![CDATA[web2.0]]></category>
		<category><![CDATA[Advocate]]></category>

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		<description><![CDATA[This thread on the use of Wikipedia in the academy appeared earlier this year on the discussion list Humanist. Here is the link. This message is a request for comment (the humanities version of a RFC). 2006 appears to be the year that undergraduate students discovered Wikipedia in a big way. My colleagues and I [...]]]></description>
			<content:encoded><![CDATA[<p>This thread on the use of Wikipedia in the academy appeared earlier this year on the discussion list Humanist. Here is the <a href="http://www3.iath.virginia.edu/lists_archive/Humanist/v20/0080.html">link.</a></p>
<blockquote><p>This message is a request for comment (the humanities version of a<br />
RFC). 2006 appears to be the year that undergraduate students discovered<br />
Wikipedia in a big way. My colleagues and I have been seeing an increasing<br />
number of papers that use Wikipedia inappropriately as the sole or primary<br />
reference. For example, I just read a paper about the relation between<br />
Structuralism, Deconstruction, and Postmodernism in which every reference<br />
was to the Wikipedia articles on those topics with no awareness that there<br />
was any need to read a primary work or even a critical work. After writing<br />
comments to a number of students on this topic, I set to work on a general<br />
policy statement addressed to the student that might be shared among my<br />
local community of scholars (see draft below). I thought such a statement<br />
might be of general use. I welcome any suggestions from, or discussion by,<br />
the Humanist community as well as pointers to any similar statements that<br />
may exist. (Still to do is a one-paragraph version of such a statement<br />
suitable for inclusion in a course syllabus.) </p>
<p>&#8211;Alan Liu, UC Santa Barbara </p>
<p>TO THE STUDENT: APPROPRIATE USE OF WIKIPEDIA </p>
</blockquote>
<blockquote><p>In recent years, Wikipedia (http://wikipedia.org) has become one of<br />
the most important and useful resources on the Internet. Created by an open<br />
community of authors (anyone can contribute, edit, or correct articles), it<br />
has become a powerful resource for researchers to consult alongside other<br />
established library and online resources. As in the case of all tools,<br />
however, its value is a function of appropriateness. In the case of<br />
college-level essays or research papers, students should keep in mind the<br />
following two limitations, one applying to all encyclopedias, and the other<br />
specifically to Wikipedia: </p></blockquote>
<p><span id="more-558"></span></p>
<blockquote><p> (1) As in the case of any encyclopedia, Wikipedia is not appropriate<br />
as the primary or sole reference for anything that is central to an<br />
argument, complex, or controversial. &#8220;Central to an argument&#8221; means that<br />
the topic in question is crucial for the paper. (For example, a paper<br />
_about_ Shakespeare or postmodernism cannot rely on an encyclopedia article<br />
on those topics.) &#8220;Complex&#8221; means anything requiring analysis, critical<br />
thought, or evaluation. (For example, it is not persuasive to cite an<br />
encyclopedia on &#8220;spirituality.&#8221;) &#8220;Controversial&#8221; means anything that<br />
requires listening to the original voices in a debate because no consensus<br />
or conventional view has yet emerged. (For example, cite an encyclopedia on<br />
the historical facts underlying a recent political election, but not on the<br />
meaning or trends indicated by that election.)<br />
          These limitations are due to the fact that encyclopedia articles are<br />
second- or third-hand summaries. They are excellent starting points for<br />
learning about something. But a college-level research paper or critical<br />
essay needs to consult directly the articles, books, or other sources<br />
mentioned by an encyclopedia article and use those as the reference. The<br />
best such sources are those that have been refereed (&#8220;peer-reviewed&#8221; by<br />
other scholars before acceptance for publication, which is the case for most<br />
scholarly journals and books) or, in the case of current events,<br />
journalistic or other resources that are relatively authoritative in their<br />
field.<br />
          However, a Wikipedia citation can be an appropriate convenience when<br />
the point being supported is minor, non-controversial, or also supported by<br />
other evidence.<br />
          In addition, Wikipedia is an appropriate source for some extremely<br />
recent topics (especially in popular culture or technology) for which it<br />
provides the sole or best available synthetic, analytical, or historical<br />
discussion. </p>
<p>          (2) Wikipedia has special limitations because it is an online<br />
encyclopedia written by a largely unregulated, worldwide, and often<br />
anonymous community of contributors. The principle of &#8220;many-eyes&#8221; policing<br />
upon which Wikipedia depends for quality-control (that is, many people<br />
looking at and correcting articles) works impressively well in many cases.<br />
However:<br />
          (a) Wikipedia is currently an uneven resource. For example,<br />
articles on technological or popular culture topics can sometimes be more<br />
reliable, vetted (corrected by a community experts), or current than<br />
articles on humanistic issues of the sort that students in literature,<br />
history, and other humanities majors often need to research.<br />
          (b) Some articles in Wikipedia are unreliable because they are the<br />
contested terrain of &#8220;edit wars,&#8221; political protest, or vandalism. Such<br />
articles include both those on obviously controversial topics and on<br />
unexpected topics. For a sobering sense of the limitations of Wikipedia,<br />
consult the long list of &#8220;protected&#8221; Wikipedia articles (articles that<br />
Wikipedia no longer, or at least not for now, allows users to edit in the<br />
normal way in order to protect them from edit wars or other mischief):<br />
<http ://en.wikipedia.org/wiki/Wikipedia:Protected_page>. (See also the<br />
bibliography appended below on recent controversies about the reliability of<br />
Wikipedia.) Students should also keep in mind that Wikipedia&#8211;like the<br />
Internet as a whole&#8211;is edited globally. This means that topics related to<br />
&#8220;United States,&#8221; &#8220;China,&#8221; &#8220;Tony Blair,&#8221; or &#8220;World Cup soccer,&#8221; for example<br />
(and many others), are contested terrain.<br />
          (c) Students should be aware that Wikipedia is a dynamic, constantly<br />
mutating resource. Even if it is appropriate to cite it as a reference, the<br />
citation is meaningless unless it includes the date on which the page was<br />
accessed (which would allow a reader to use the Wikipedia &#8220;history&#8221; feature<br />
to look up the specific version of the article being referenced). Indeed,<br />
Wikipedia articles on some topics change so frequently (even to the extent<br />
of vandals &#8220;reverting&#8221; to earlier scandalous misinformation) that a citation<br />
should include the exact hour of access. </p>
<p>          Students should feel free to consult Wikipedia as one of the most<br />
powerful instruments for opening knowledge that the Internet has yet<br />
produced. But it is not a one-stop-shop for reliable knowledge. Indeed,<br />
the term &#8220;encyclopedia&#8221; is somewhat to blame. Because it is communal,<br />
dynamic, and unrefereed, Wikipedia is not really (or not just) an<br />
encyclopedia of knowledge. It is better thought of as a combination of<br />
encyclopedia and &#8220;blog.&#8221; It is the world&#8217;s blog. </p>
<p>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ </p>
<p>Bibliography of Articles on the Controversy Regarding Wikipedia&#8217;s<br />
Reliability: </p>
<p>      * Steven Musil, &#8220;Wikipedia&#8217;s Woes,&#8221; C/NET News.com, 9 December 2005<br />
</http><http ://news.com.com/Week+in+review+Wikipedias+woes/2100-1083_3-5988388.html> </p>
<p>      * John Seigenthaler, &#8220;A False Wikipedia &#8216;Biography&#8217;,&#8221; USA Today.com, 29<br />
November 2005<br />
</http><http ://www.usatoday.com/news/opinion/editorials/2005-11-29-wikipedia-edit_x<br />
.htm> </p>
<p>      * Daniel Terdiman, &#8220;Study: Wikipedia as Accurate as Britannica,&#8221; C/Net<br />
News.com, 15 December 2005 < http://news.com.com/2102-1038_3-5997332.html> </p>
<p>      * Ray Cha, &#8220;Another Round: Britannica versus Wikipedia,&#8221; if:book, 31<br />
March 2006<br />
</http><http ://www.futureofthebook.org/blog/archives/2006/03/another_round_britanni<br />
ca_versu.html> </p>
<p>      * Lisa Vaas, &#8220;Wikipedia Erects Accuracy Firewall,&#8221; 19 December 2005<br />
</http><http ://www.eweek.com/article2/0,1895,1903728,00.asp> </p>
<p>      * Katie Hafner, &#8220;Growing Wikipedia Revises Its &#8216;Anyone Can Edit&#8217;<br />
Policy,&#8221; New York Times, 17 June 2006<br />
</http><http ://www.nytimes.com/2006/06/17/technology/17wiki.html?_r=1&#038;adxnnl=1&#038;oref<br />
=slogin&#038;adxnnlx=1150630485-m7D+jesnoKz+kAAD8almhw> (alternative site: </p>
<p>http://news.com.com/Growing+Wikipedia+revises+its+anyone+can+edit+policy/210</p>
<p>0-1040_3-6085077.html?tag=nefd.top)<br />
</http></p></blockquote>
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		<title>The University of Melbourne Podcasts</title>
		<link>http://www.craigbellamy.net/2006/11/03/the-university-of-melbourne-podcasts/</link>
		<comments>http://www.craigbellamy.net/2006/11/03/the-university-of-melbourne-podcasts/#comments</comments>
		<pubDate>Fri, 03 Nov 2006 03:18:20 +0000</pubDate>
		<dc:creator>Craig</dc:creator>
				<category><![CDATA[education]]></category>
		<category><![CDATA[pedagogy]]></category>
		<category><![CDATA[web2.0]]></category>
		<category><![CDATA[Advocate]]></category>

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		<description><![CDATA[Like everyone else it seems, universities have started to produce their own &#8216;community engagement&#8217; media channels. Check out this contribution from The University of Melbourne. I would be interested to hear what you think. &#8216;Melbourne University Up Close&#8217; Episode 3: Nuclear Power In the third episode of the Melbourne University Up Close podcast show, Jacky [...]]]></description>
			<content:encoded><![CDATA[<p>Like everyone else it seems, universities have started to produce their own &#8216;community engagement&#8217; media channels. Check out this contribution from The University of Melbourne. I would be interested to hear what you think.</p>
<blockquote><p><strong>&#8216;Melbourne University Up Close&#8217; Episode 3: Nuclear Power</strong></p>
<p>In the third episode of the Melbourne University Up Close podcast show,<br />
Jacky Angus will discuss the merits and risks of nuclear power with<br />
Associate Professor Martin Sevior of the Department of Physics. Tune in<br />
to this episode at: <a href="http://upclose.unimelb.edu.au">http://upclose.unimelb.edu.au</a></p></blockquote>
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